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This disturbing pattern NEEDS to disappear from anime.The last thing I feel the need to especially stress is the god-awful pacing and stupendously rushed nature of Charlotte.While on the surface Yuu Otosaka appears to be just another charming and intelligent teenager, he has a secret—he has the ability to slip into people's minds and fully control their body for five seconds at a time.Yuu has been using this skill for years to gain the highest grades, which allowed him to enter a prestigious high school.I can even recall a scene where Yuu watched Nao get brutally beaten by a mob with complete indifference, as he did nothing to even attempt to assist her. This romance is so laughable that when a love confession is finally made, the other character remarks in a surprised/confused fashion “I don’t think there was ever a time for you to think favorably of me.” I mean… You will pull your hair out trying to count how many times a situation that could have been easily resolved through superpowers is treated as a legitimate conflict.Every cardinal sin of story telling is present in Charlotte: Dues ex machine, plotholes, asspulls, you name it.It’s some of the worst melodrama to ever be animated.The second big issue with the plot is the remarkably inconsistent tone and its total inability to incorporate elements of both comedy and tragedy without being clumsy and awkward.

Did they really think that we wouldn’t notice if they stopped giving him individuality after a single episode?

However, as soon as the ED played at the end of episode one, everything about him that was established in that first episode is COMPLETELY forgotten.

Never again does he exhibit any of traits that supposedly define him.

It’s either a laughable oversight or an attempt to trick the audience.

There really isn’t much to say about the rest of the cast; they are either completely indistinguishable or defined entirely by traits/quirks.

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Even scenes involving death can’t keep comedy out of the picture.

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  1. He has also appeared in the television series Bionic Woman, the television movies Confessions of a Go-Go Girl and Holiday in Handcuffs, and in the film Leslie, My Name is Evil, which premiered at the 2009 Toronto International Film Festival.